BURN BURN BURN
Things that we discover
Things we never find
It's not what's in the FIRE
It's what the FIRE leaves behind
So BURN BURN BURN
BURN BURN BURN
Things that we discover
Things we never find
It's not what's in the FIRE
It's what the FIRE leaves behind
So BURN BURN BURN
BURN BURN BURN
Things that we discover
Things we never find
It's not what's in the FIRE
It's what the FIRE leaves behind
So BURN BURN BURN
BURN BURN BURN
Things that we discover
Things we never find
It's not what's in the FIRE
It's what the FIRE leaves behind
So BURN BURN BURN
Defining Tools
I’d been searching for ages for a way of drawing with paint -
So I was exited when I first discovered this lining tool it’s mechanical & more controllable than a brush
It’s a clever little device
I can activate a surface. Create a sense of movement
Even suggest infinity -
I think it’s used on classic cars, hot rods and I suppose coaches as it is called a coach lining tool.
My dad gave me my grandads Technical drawing set when I was 11. It included a ruling pen. A two bladed pen which does a similar job.
I’ve used one on and off for years
But they have no paint reservoir so need a lot of patience to work on a big scale
I’ve even tackled 3 metre canvases which really need a patience I don’t think anyone has if born after 1945 ! Anyway
I thought this new tool was an evolution of this ruling pen - state of the art - modern
Until I saw it was first made in 1934 -
It’s actually the same principal as the bucket and wheel used to line a sports field
So nothing new here then!
RESTLESS _ Notes on video - 2020
Isolate they said, lockdown they said. Since then we’ve had a constant flow of news and information which has created a fear of isolation in many. Fill that empty space, create, exercise, occupy the mind. I need and enjoy, even thrive in, isolation because I think I bring something to it. I need that time to realise and make ‘art’.
Apart from my friends the rooks which shout at me through my isolated days, no longer competing with the traffic noise on the nearby road nothing much has changed. As a painter with a large rural studio I worry, not only about the people stuck in hospitals or bedsits and flats but also about the blonde turnip and his cronies at the steering wheel.
I’ve become an expert pacer, up and down the studio. Scribbling or maybe it’s doodling with intent, give me a blank sheet of paper and I’ll torment it with observations and half formed ideas.
I am acutely aware of a blank white canvas flat on the floor, not huge, comfortably large with a plank laid across. In my pacing I circumnavigate this like it is an out of bounds island only occasionally crossing the plank like a bridge. In the past I have spent many hours on this bridge with it’s ever changing view; my working platform from which I make the big paintings. Now it remains stubbornly empty, like the world outside my lockdown, I am restless in a situation which is activating ideas and then…… well it’s all foreplay and no climax. I don’t really know why, maybe put simply, the shut down world was my source, subject and raison d’être. Now it’s like looking in a mirror and finding no reflection.
The video was made in response to my complex and mixed feelings in this strange situation. I was enjoying it, I was frustrated by it, Ross Wickins a very talented professional video maker and photographer, close friend and neighbour, collaborated with me. Our intention was to make a meaningful statement about the effect of the lockdown on an artist.
John Loker 2020
RESTLESS _ Notes on video - 2020
Isolate they said, lockdown they said. Since then we’ve had a constant flow of news and information which has created a fear of isolation in many. Fill that empty space, create, exercise, occupy the mind. I need and enjoy, even thrive in, isolation because I think I bring something to it. I need that time to realise and make ‘art’.
Apart from my friends the rooks which shout at me through my isolated days, no longer competing with the traffic noise on the nearby road nothing much has changed. As a painter with a large rural studio I worry, not only about the people stuck in hospitals or bedsits and flats but also about the blonde turnip and his cronies at the steering wheel.
I’ve become an expert pacer, up and down the studio. Scribbling or maybe it’s doodling with intent, give me a blank sheet of paper and I’ll torment it with observations and half formed ideas.
I am acutely aware of a blank white canvas flat on the floor, not huge, comfortably large with a plank laid across. In my pacing I circumnavigate this like it is an out of bounds island only occasionally crossing the plank like a bridge. In the past I have spent many hours on this bridge with it’s ever changing view; my working platform from which I make the big paintings. Now it remains stubbornly empty, like the world outside my lockdown, I am restless in a situation which is activating ideas and then…… well it’s all foreplay and no climax. I don’t really know why, maybe put simply, the shut down world was my source, subject and raison d’être. Now it’s like looking in a mirror and finding no reflection.
The video was made in response to my complex and mixed feelings in this strange situation. I was enjoying it, I was frustrated by it, Ross Wickins a very talented professional video maker and photographer, close friend and neighbour, collaborated with me. Our intention was to make a meaningful statement about the effect of the lockdown on an artist.
John Loker 2020